IDO Masao

Born: 1945 in Japanese-occupied Manchuria

Medium: Woodblock

After World War II, he moved to Japan and later studied in Kyoto, one of the country’s most historic centers for fine arts and traditional craftsmanship. Kyoto’s strong legacy of artistic training played a crucial role in shaping Ido’s creative direction and helped establish his identity as a quintessential Kyoto artist.

He is known for creating works that reflect a strong sense of place, often inspired by Kyoto’s temples, gardens, and preserved streetscapes. Ido Masao is also recognized as a mentor to Seiji Sano, another well-known Japanese printmaker, further cementing his influence in contemporary Japanese printmaking.

Collectors familiar with Japanese prints might draw comparisons to the shin hanga movement of the early 20th century. While Ido Masao’s prints do not directly imitate the shin hanga style, his thematic choices echo that movement’s romantic vision of Japan.

Ido presents a sentimental and idealized version of Japan—one that is increasingly rare in today’s urbanized and industrialized society. This approach is reminiscent of the goals pursued by shin hanga artists under the direction of Watanabe Shozaburo. Ido’s success in capturing these nostalgic scenes has earned him recognition both in Japan and internationally.

There is nothing wrong with artists creating works that are beautiful and accessible. In fact, as long as they are made with precision and craftsmanship—as is clearly the case with Ido Masao’s woodblock prints —these pieces hold enduring artistic value.

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